CHAPTER XI.02

IV. To the same purpose is that passage, “The idols of the heathen are silver and gold, the work of men's hands;”170 for the Prophet concludes, from the very materials, that they are no gods, whose images are made of gold or of silver; and takes it for granted, that every conception we form of the Deity, merely from our own understandings, is a foolish imagination. He mentions gold and silver rather than clay or stone, that the splendour or the value of the materials may procure no reverence for the idols. But he concludes in general, that nothing is more improbable, than that gods should be manufactured [pg 101] from any inanimate matter. At the same time he insists equally on another point—that it is presumption and madness in mortal men, who are every moment in danger of losing the fleeting breath which they draw, to dare to confer upon idols the honour due to God. Man is constrained to confess that he is a creature of a day, and yet he will have a piece of metal to be worshipped as a god, of the deity of which he is the author; for whence did idols originate, but in the will of men? There is much propriety in that sarcasm of a heathen poet, who represents one of their idols as saying, “Formerly, I was the trunk of a wild fig-tree, a useless log; when the artificer, after hesitating whether he would make me a stool or a deity, at length determined that I should be a god.”171

A poor mortal, forsooth, who is, as it were, expiring almost every moment, will, by his workmanship, transfer to a dead stock the name and honour of God. But as that Epicurean, in his satirical effusions, has paid no respect to any religion,—leaving this sarcasm, and others of the same kind, we should be stung and penetrated by the rebuke which the Prophet172 has given to the extreme stupidity of those, who, with the same wood, make a fire to warm themselves, heat an oven for baking bread, roast or boil their meat, and fabricate a god, before which they prostrate themselves, to address their humble supplications. In another place, therefore, he not only pronounces them transgressors of the law, but reproaches them for not having learned from the foundations of the earth;173 since, in reality, there is nothing more unreasonable than the thought of contracting the infinite and incomprehensible God within the compass of five feet. And yet this monstrous abomination, which is manifestly repugnant to the order of nature, experience demonstrates to be natural to man. It must be further observed, that idols are frequently stigmatized as being the works of men's hands, unsanctioned by Divine authority; in order to establish this principle, that all modes of worship which are merely of human invention, are detestable. The Psalmist aggravates this madness, forasmuch as men implore the aid of dead and insensible things, who are imbued with understanding to know that all things are directed solely by the power of God. But since the corruption of nature carries all nations in general, and each individual in particular, to such an excess of frenzy, the Spirit at length thunders out this direful imprecation: “Let those that make them be like unto them and every one that trusteth in them.”174 Let it be observed, that all similitudes are equally as much forbidden as graven images; which refutes the foolish subterfuge of the Greeks; for they think themselves quite safe, if they [pg 102] make no sculpture of Deity, while in pictures they indulge greater liberty than any other nations. But the Lord prohibits every representation of him, whether made by the statuary, or by any other artificer, because all similitudes are criminal and insulting to the Divine Majesty.

V. I know that it is a very common observation, that images are the books of the illiterate. Gregory said so; but very different is the decision of the Spirit of God, in whose school had Gregory been taught, he would never have made such an assertion. For, since Jeremiah pronounces that “the stock is a doctrine of vanities,”175 since Habakkuk represents “a molten image” as “a teacher of lies,”176—certainly the general doctrine to be gathered from these passages is, that whatever men learn respecting God from images is equally frivolous and false. If any one object, that the Prophets only reprehended those who abuse images to the impious purposes of superstition,—that indeed I grant; but affirm also, what is evident to every one, that they utterly condemn what is assumed by the papists as an indubitable axiom, that images are substitutes for books. For they contrast images with the true God, as contraries, which can never agree. This comparison, I say, is laid down in those passages which I have just cited; that, since there is only one true God, whom the Jews worshipped, there can be no visible figures made, to serve as representations of the Divine Being, without falsehood and criminality; and all who seek the knowledge of God from such figures are under a miserable delusion. Were it not true, that all knowledge of God, sought from images, is corrupt and fallacious, it would not be so uniformly condemned by the Prophets. This at least must be granted to us, that, when we maintain the vanity and fallaciousness of the attempts of men to make visible representations of God, we do no other than recite the express declarations of the Prophets.

VI. Read likewise what has been written on this subject by Lactantius and Eusebius, who hesitate not to assume as a certainty, that all those whose images are to be seen, were mortal men. Augustine also confidently asserts the unlawfulness, not only of worshipping images, but even of erecting any with reference to God. Nor does he advance any thing different from what had, many years before, been decreed by the Elibertine council, the thirty-sixth chapter of which is as follows: “It hath been decreed, that no pictures be had in the churches, and that what is worshipped or adored be not painted on the walls.” But most remarkable is what Augustine elsewhere cites from Varro, and to the truth of which he [pg 103] subscribes—“That they who first introduced images of the gods, removed fear and added error.” If this had been a mere assertion of Varro alone, it might have perhaps but little authority; yet it should justly fill us with shame, that a heathen, groping as it were in the dark, attained so much light as to perceive that corporeal representations were unworthy of the Divine Majesty, being calculated to diminish the fear of God, and to increase error among mankind. The fact itself demonstrates this to have been spoken with equal truth and wisdom; but Augustine, having borrowed it from Varro, advances it as his own opinion. And first he observes that the most ancient errors concerning God, in which men were involved, did not originate from images, but were increased by them, as by the superaddition of new materials. He next explains that the fear of God is thereby diminished, and even destroyed; since the foolish, ridiculous, and absurd fabrication of idols would easily bring his Divinity into contempt. Of the truth of this second remark, I sincerely wish that we had not such proofs in our own experience. Whoever, therefore, desires to be rightly instructed, he must learn from some other quarter than from images, what is to be known concerning God.